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CHAD STEVENSON BONAKER
Current Address: |
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Permanent Address: |
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137 Laurie Meadows Dr #280 |
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460 Woodbury Dr. |
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San Mateo, CA 94403 |
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425 P.O. Box |
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Craig, CO 81625 |
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Cell: (513) 218-7084 |
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(970) 824-5415 |
E-mail: charva@stanfordalumni.org |
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PROFESSIONAL EXPERIENCE: (All credits are for lighting design unless noted otherwise) |
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Opera: |
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West Bay Opera at the Lucie Stern Theater in Palo Alto, CA.. |
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Magic Flute |
Directed by Daniel Helfgot |
October 2005 |
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La Perichole |
Directed by: Daniel Helfgot |
May 2003 |
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The Masked Ball |
Directed by David Ostwald |
February 2003 |
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Tosca |
Directed by Kenneth Tigar |
October 2002 |
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La Boheme |
Directed by Kenneth Tigar |
May 2002 |
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Marriage of Figaro |
Directed by David Ostwald |
February 2002 |
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Faust |
Directed by Christopher Harlan |
October 2001 |
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The Tales of Hoffmann |
Directed by David Ostwald |
May 2001 |
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Tartuffe |
Directed by Kenneth Tigar |
February 2001 |
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The Rise and Fall of the City of Mahagonny |
Directed by Jonathan Field |
May 2000 |
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College Conservatory of Music, Cincinnati, Oh |
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Markheim |
Directed by Thomas de Mallet Burgess |
November 2003 |
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The Good Soldier Schweik |
Directed by Brian Anderson |
January 2004 |
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The Spanish Hour |
Directed by Andrea Dorf |
May 2004 |
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Musicals: |
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College Conservatory of Music, Cincinnati, Oh |
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Brigadoon |
Directed by Richard Hess |
November 2004 |
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Under Construction Assistant LD |
Directed by Diane Lala |
March 2003 |
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TheaterWorks, Mountain View, Ca |
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Jane Eyre Assistant Lighting Design |
Directed by Robert Kelly |
April 2003 |
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Smokey Joe’s Café |
Directed by Linda Goodrich |
June 2002 |
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Pacific Overtures Assistant LD |
Directed by Robert Kelly |
Sept. 2001 |
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Peninsula Civic Light Opera, San Mateo, Ca |
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Evita Moving Light Design |
Directed by Brooke Knight |
Sept 2002 |
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Camelot Assistant Lighting Design |
Directed by Brooke Knight |
Sept 2001 |
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Oliver! |
Directed by Alex Perez |
July 2001 |
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Jesus Christ Superstar Moving Light Design |
Directed by Brooke Knight |
September 2000 |
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Damn Yankees |
Directed by Ted Curry |
April 2000 |
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Dramas: |
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Resident Lighting Designer for the Stanford Summer Theater 1998-Current: |
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Lysistrata |
Directed by Rush Rehm |
July 2003 |
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Biederman and the Firebugs |
Directed by Alex Wolska |
July 2002 |
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The Chairs |
Directed by Alex Wolska |
July 2001 |
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Waiting for Godot |
Directed by Alex Wolska |
July 2000 |
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As an Alumni Designer at Stanford University |
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The Magic Flute |
Directed by Jennifer Lane |
April 2002 |
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Midsummer Night’s Dream |
Directed by Shawn Kursner |
February 2001 |
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Resident Lighting Design Technical Director for San Mateo, Ca High School from 2000-2003 |
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Oklahoma |
Directed by Brad Freidman |
February 2003 |
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Pirates of Penzence |
Directed by Brad Freidman |
October 2002 |
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Fiddler on the Roof |
Directed by Brad Freidman |
February 2002 |
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EDUCATION: |
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MFA Lighting |
Expected June 2005 |
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College Conservatory of Music University of Cincinnati |
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B. A. English Emphasis on creative writing |
Conferred June 1998 |
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Stanford University |
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TEACHING: |
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Introduction to Lighting |
College Conservatory of Music |
UC Ohio |
Winter 2005 |
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Technical Theater and Theater Craft |
San Mateo High School |
San Mateo, Ca |
2000-2003 |
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Lighting Design |
Discovery Theater Institute |
Stanford University |
2001-2003 |
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Play-Writing |
Discovery Theater Institute |
Stanford University |
2001-2003 |
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Advanced Lighting Design |
Stanford Drama Department |
Stanford University |
Spring 2000 |
AWARDS: |
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The Spanish Hour |
Winner of the National Opera Association Production Competition for the Best College Production in the U.S. – Studio Series |
2004 |
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Smoke Joe’s Café |
Dean Goodman Award for Excellence in Theatrical Design for |
2002 |
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Pacific Overtures |
Nominated for a Bay Area Critic’s Circle Award in Musical Lighting |
2001 |
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Damn Yankees |
Nominated for a Bay Area Critic’s Circle Award in Musical Lighting |
2000 |
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Gypsy |
Nominated for a Bay Area Critic’s Circle Award in Musical Lighting |
2000 |
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When the Shark Bites |
Selected to represent the U.S.A. at the student exhibit at the Prague Quadrennial |
1999 |
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Recipient Douglas A. Russell Prize for Excellence in Theatrical Design |
1998 |
REFERENCES: |
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Michele Sullivan |
(650) 424-0808 |
Managing Producer of West Bay Opera |
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E-mail: michele@wbopera.org |
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Michael Ramsaur |
(650) 723-4762 |
Lighting Professor at the Stanford Drama Department |
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E-mail: mram@stanford.edu |
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James Gage |
(513) 265-7740 |
Lighting Professor at College Conservatory of Music |
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E-mail: gagehj@ucmail.uc.edu |
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Brad Friedman |
(650) 558-2348 |
Drama Teacher at San Mateo High School |
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E-mail: bkfriedman@hotmail.com |
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Paul Shortt |
( 513) 556-9426 |
Set Design Professor at College Conservatory of Music |
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E-mail: paulshortt1@hotmail.com |
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Steve Mannshardt |
(650) 463-7128 |
Production Manager Theater Works in Palo Alto |
SKILLS: |
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Highly Skilled in most common computer applications including: Word, Excel, Access, Photoshop, Corel Draw, Vectorworks, Renderworks, AutoCad, and Light Wright. Highly proficient in reading and understanding blueprints and construction drawings, as well as extensive knowledge of creating light plots and paper work. Working knowledge of many lighting consoles including: Express, Expression, Obsession, Strand GXS, Strand 520i, Wholehog 2, Wholehog 3, Maxzxy, Grand MA, and Horizon. Good scenic carpentry skills ranging from fine carpentry to glue and staple construction. Hobbies include photography, reading, writing and drawing. |
1999-Present Free Lance Lighting Designer (See Professional Experience Above) 2004-Present Part Time Production Specialist, Vincent Lighting Systems, Kentucky Branch
Responsible for providing basic labor for the load in and strike of lighting for productions ranging in size form large setups for corporate events, to occasional tent weddings. 2003-Present Graduate Assistant College Conservatory of Music, University of Cincinnati Lighting Shop
Responsible for the maintenance of the light shop and all lighting equipment including lighting consoles, fixtures, cable, and color inventories. Responsibilities also include maintaining all lighting systems in all of the theaters at CCM including managing recital plots, and providing support for all main stage productions. 2004 February Assistant Lighting DesignerEurope in Belgrade, Belgrade Serbia
Designed the moving lights for the nationally televised production of the celebration for the 200 years of Serbian independence. Sava Center, Beograde, Serbia. 2004 Summer Digital Artist,Rendering for Paul Shortt (Architectural Theater Consultant), Moeller Archbishop High
School Theater Redesign. Created computer rendered images from Paul Shortt’s floor plan and elevations of the gym/auditorium into a dedicated theater space. The project gained approval and a commitment of the fundraising office for several million dollars. Cincinnati, Ohio. 2001-2003 Summers Lecturer/Designer, Theater Discover Institute, Stanford University, Palo Alto, California
Taught gifted high school students interested in theater at an intense three week theater immersion camp. Classes taught ranged from playwriting, where students were encouraged to write a complete one act in a workshop environment, to theater technology, were groups of students learned to design lighting around a short pieces of music. 2000-2003 Technical Director and Technical Theater Teacher, San Mateo High School, California
I developed my own curriculum under the supervision of Drama teacher Brad Freidman which covered every aspect of technical theater including designing costumes, sets, and lighting, scenery construction techniques, and managing production budgets. I also supervised parents and managed student crews for the build and tech of the three large productions a year at the San Mateo Performing Arts Center. This job also involved teaching different levels of students ranging from honors students to several students with special needs. 1999-Present Free Lance Electrician, Various theater companies and Venues, Theater Works in Palo Alto
Labor for the load in and strikes of lighting and scenery. 1995-2003 Shop Assistant, Scenic Carpenter, Stanford University Drama Department
Responsibilities included building departmental shows, managing student crews, hanging electrics, maintaining theaters, and anything else that needed to get done. 1999-2000 Inventory Manager, CSC Newark, Newark California
Responsibilities involved discovering and resolving discrepancies in the inventory, troubleshooting customer to shipping issues, maintaining the office computers and phone system, training employees on new software, and filling in any gaps in service. |
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